Seminars
S.01 Moved by Shakespeare: ‘natural’ tempos, movement and physical expression on the ballet, opera and other storied musical stages
Adeline Chevrier-Bosseau1, Nancy Isenberg2
1Université Clermont Auvergne, France; 2Roma Tre University, Italy
achevrier.bosseau@gmail.com; nancyisenberg@gmail.com
S.02 Shakespeare’s Festive Comedies on Screen: nature, art, politics
Victoria Bladen1, Sarah Hatchuel2, Nathalie Vienne-Guerrin2
1University of Queensland, Australia; 2Université Paul-Valéry Montpellier 3, France
victoria.bladen@uqconnect.edu.au; sarah.hatchuel@univ-montp3.fr; nathalie.vienne-guerrin@univ-montp.3.fr
S.03 Performing Horticultural Spaces Shakespearean Gardens, Orchards, and Parks
Roberta Zanoni1, Guillaume Foulquie2, Huimin Wang3
1Universities of Verona and Bolzano, Italy; 2University of Worcester, United Kingdom; 3University of Southampton, United Kingdom; 4University of British Columbia, Canada
roberta.zanoni@univr.it;guillaume.foulquie@gmail.com;huimin.wang@soton.ac.uk
S.06 Macbeth in European Culture
Juan F. Cerdá1, Paul Prescott2
1University of Murcia, Spain; 2University of Warrick, United Kingdom
juanfcerda@um.es; p.prescott@warwick.ac.uk
S.07 Shakespeare and Music: “Where should this music be? I’ th’ air or th’ earth?”
Supported by the RMA Shakespeare and Music Study Group
Michelle Assay1, Alina Bottez2, David Fanning3
1University of Huddersfield, United Kingdom; 2University of Bucharest, Romania; 3University of Manchester, United Kingdom
m.assay@hud.ac.uk; alinabottez@gmail.com; david.fanning@manchester.ac.uk
S.08 Re-mapping Shakespeare: Hybridity, Diversity and Adaptation
Carmen Levick1, Márta Minier2
1University of Sheffield, United Kingdom; 2University of South Wales, United Kingdom
C.levick@sheffield.ac.uk; marta.minier@southwales.ac.uk
S.09 Shakespeare and Central/Eastern Europe: The National and Global
Michelle Assay1, David Fanning2, Boris Gaydin3
1University of Huddersfield, United Kingdom; 2University of Manchester, United Kingdom; 3Moscow University for the Humanities, Russian Federation
m.assay@hud.ac.uk; David.fanning@manchester.ac.uk; bngaydin@mosgu.ru
S.10 “Well Are You Welcome in the Open Air”: Shakespeare Staged Outdoors
Daria Moskvitina1, Oana Gheorghiu2, Bohdan Korneliuk3
1Zaporizhzhia State Medical University, Ukraine; 2”Dunarea de Jos” University of Galati, Romania; 3Khortytsia National Academy, Ukraine
daryamoskvitina@gmail.com; oana.gheorghiu@ugal.ro; korneljukbogdan@ukr.net
S.11 Fracking Shakespeare
Ronan Hatfull1, Taarini Mookherjee2
1University of Warwick, United Kingdom; 2Columbia University, United States
Ronan.Hatfull@warwick.ac.uk; tm2682@columbia.edu
S.12 Changing Policies in Media Ecology: The Case of East European Digital Shakespeare
Mădălina Nicolaescu1, Vladimir Makarov2, Oana-Alis Zaharia1
1University of Bucharest, Romania; 2St. Tikhon’s Orthodox University in Moscow, Russia
madalina.nicolaescu@lls.unibuc.ro; mail@vmakarov.name; oana-alis.zaharia@lls.unibuc.ro
S.13 Shakespeare and the Nature of Utopia/Utopian Nature
Delilah Bermudez Brataas1, Magdalena Cieślak2
1Norwegian University of Science and Technology, Norway; 2University of Lodz, Poland
delilah.brataas@ntnu.no; magdalena.cieslak@uni.lodz.pl
S.14 Shakespeare in Second and Foreign Language Learning
Delilah Bermudez Brataas1, Anna Kowalcze-Pawlik2
1Norwegian University of Science and Technology, Norway; 2University of Lodz, Poland
delilah.brataas@ntnu.no; anna.kowalcze@uni.lodz.pl
S.15 “An art that nature makes?”: Nature and Shakespeare’s Greece
Alison Findlay1, Vassiliki Markidou2
1Lancaster University, United Kingdom; 2National and Kapodistrian University of Athens
a.g.findlay@lancaster.ac.uk; vmarkidou@enl.uoa.gr
S.16 Shakespeare the (Un)natural Shaper: Addressing, Transgressing, and Redressing the Natural-Cultural Balance
Michela Compagnoni1, Francesca Guidotti2
1Roma Tre University, Italy; 2University of Bergamo, Italy
michela.compagnoni@uniroma3.it; francesca.guidotti@unibg.it